LH Olanrewaju
This series comes from the idea of dreams, not as something fixed, but as a space where thoughts, emotions, and direction are still forming. It reflects how life can feel clear in one moment and uncertain in the next, and how both states can exist at the same time. The series shows a silhouette of myself in motion, placed against a flat orange background. The simplicity of the background removes distraction and keeps attention on presence, gesture, and feeling. Movement is important in the work because it represents how thoughts are never still, and how meaning often appears in transition rather than in a final form. In all the works, I wear KEGS as a mask. KEGS is not fully defined; it exists as a shifting presence between identity, protection, and ambiguity. In some pieces, the mask becomes more physically present through visible ropes, but overall it remains open to interpretation. It is not about hiding or revealing, but about existing in a state of in-between. This series is not about permanence. It is about passing states , moments of clarity, withdrawal, progress, inspiration that emerge and fade. what remains is a traceof what is briefly experienced, even when it slips away